It is a multifaceted program that Ensemble XXI is exhibiting for this concert. Colloquially, the pieces explore the solo cello in an encounter with a sort of electronic double in the piece Trains by the English composer Joanna Bailie, the repetition, the chromatic sequence from one sound to another in Jean’s Outdoors -Luc Hervé, the sensual dronic music of John Luther Adams as well as the praise of the silence expressed by Stefan Hejdrowski.

Finally, we will attend a world premiere, commissioned by Ars Musica from Nélida Béjar, a multi-faceted composer, founder of the Undercoverfiction Ensemble, which explores a universe on the borders of theater and musical language.